From the history of the emergence and development of Kazakh folk instruments annotation

Authors

  • Kazanbaev Kairat Republic of Kazakhstan, city of Uralsk, Master of West Kazakhstan University named after M.Utemisov

Keywords:

Instrument, performer, melody, people, ensemble, music, groups, sound, functions, signal, rhythm, technique, creativity

Abstract

 

This article addresses questions about the origin of Kazakh folk instruments, their sound, development. The systems of traditional musical instruments, their originality and functioning are determined by the nomadic and pastoral ways of life of the Kazakhs, life and customs, the specifics of the worldview, the peculiarity of thinking and the psychology of aesthetic perception. The process of formation, development and improvement of musical instruments, which is a complex centuries-old process, is closely related to the entire course of the historical, socio-economic and cultural development of the people. The evolution of the instrumentation, its functions and place in society confirm the process of gradual maturation of musical instruments from the most ancient syncretic magical production complexes.

       Not a simplified evolutionary process, which is a schematic monotony, like a mechanical isolation of musical instruments from complex multi-element complexes of labor, ritual and aesthetic activities of the nomadic cattle breeder people. In his discretely developing representations in historical time as the formation of a new quality, the birth and awareness of a specific role, music itself.

Published

2023-03-12

How to Cite

Kazanbaev Kairat. (2023). From the history of the emergence and development of Kazakh folk instruments annotation. Academics and Science Reviews Materials, (2). Retrieved from https://ojs.scipub.de/index.php/ASCRM/article/view/986